When I was in training for my Peace Corps assignment in Bulgaria, we exercised our community involvement muscles by organizing a civic improvement event. We recruited kids from schools and orphanages, did pledge drives and bake sales, organized volunteers, and had a great time of it. We contracted with a local welding shop to make some sidewalk trashcans, got children into teams to paint them, bought paints and brushes, and had an art contest in the town square to decorate the cans and award prizes for the best designs. As part of our Bulgarian lessons concurrent with the project, we made posters to advertise the event and tried to come up with team names to suggest to the kids. Peace Painters, Paintbrush Friends… simple and corny phrases with words we could find in our ever-present English-Bulgarian dictionaries. The word we found for “Friends” was Drugari. (‘dro͞o·gə·rē).
Our Bulgarian language teacher frowned and said, no! That wasn’t appropriate, not at all. What, the word “friends” is not OK? We were steered to a synonym, Priyateli, and told that was a nicer word. “We just don’t use that old word much anymore,” she said. We persisted: why was her reaction so negative? A little reluctantly she explained that was what Communist Party members called each other before the old government fell. Comrade! That was the word for Comrade. The word, swept up in the tumult of history. had been spoiled.
History turns things around. In a book I’m reading, Margaret Mitchell & John Marsh: The Love Story Behind Gone With the Wind, I read how the young author was imbued from childhood with her Georgia history in the early twentieth century. She recalled long summer evenings with her extended family, hearing stories of hardships and triumphs down through the generations from back as far as the earliest days of English colonial life, up through the terrible war which was then still smoldering hot in the memory of her elders.
“None was a more powerful storyteller than Grandmother Annie, who told Peggy endless tales about the Civil War, bloodthirsty Yankees, freed slaves, scoundrelly scalawags, cheating carpetbaggers, and the importance of behaving well in the face of either defeat or prosperity.”
Margaret Mitchell’s novel Gone With the Wind was made into a movie, epic in its scope and grandeur and immensely popular since 1939 for showing the tragedy wrought by the Civil War. History. Like The Wizard of Oz, it is an early Hollywood classic that has endured to a robust old age while lesser works of film art faded and died. The film has been shown in Memphis’ historic Orpheum Theatre as part of a summer film festival for 34 years. No more. It offends. Canceled. Things change.
I recently read and shared (on Facebook, if you must know) an interview by former Secretary of State Condoleezza Rice on the subject of Confederate monuments. Confederate. That’s another word that has changed, like drugari. She took the position that the monuments were a part of history, should be given appropriate context and not be torn down. With Charlottesville fresh in the news, I rather thought it would be an opportunity to examine a different view than what most of my friends are exposed to in their (our) own silos and echo chambers.By way of background for why the topic was of such interest to me, I grew up in Richmond, Virginia (google “Monument Avenue“). What I knew about Robert E. Lee and the other Confederate figures was informed by the perception that they were bound by a sense of duty and honor, and took up arms to defend their beloved home states (never mind who fired the first shots). On my walk from the bus stop to my high school, I passed the Confederate Widows’ Home and would wave to the little old ladies sitting on the veranda in their rocking chairs. They would wave back and smile. In my basic training for the United States Air Force, after leaving my home state behind, I was required to memorize, among other things, “Lee’s Quote.” It was, “Duty then is the sublimest word in the English language. You should do your duty in all things. You can never do more. You should never wish to do less.”
It is hard now to understand the depth and passion of that feeling of loyalty and duty to one’s home state that Lee felt, rather than to all of the states together, but that was 1861. Things were different. Then once the war started, it could only be governed by the relentless, inexorable logic that war brings to itself. I concluded my sharing of the Rice interview with a quote from a thoughtful reader of the Dallas Morning News, saying that “We cannot change history by removing statues and renaming schools…. We can change the present by stressing positive concerns, such as equal educational opportunities, equal job opportunities and equal respect for the opinions of others.”
I took a solid drubbing in the ensuing discussion. The points did not turn on duty and honor, but on traitors, treachery, and comparisons to Hitler. The most insightful comment in the discussion, the one that got my reasoned attention, was from my friend Ivan. He wrote that he thought my argument was focused too narrowly.
“The issue is not the monuments as reminders of history, the issue is that they are part of the broader effort, to maintain racism, and even restore racist policies. The white supremacy groups wanted to preserve the monument because it enhanced their views, not because they appreciated the historical value.”
My initial reaction had been that the momentum seems to be on the side of the monument-destroyers, and I thought it was a damn shame. The exchange made me think, and read, and think some more. I was aided in this by another friend, Laura, who put me onto a set of videos that exposed a sore point: my view had been shaped within the confines of a privileged position that I seldom, if ever, even perceived let alone understood what advantages it had given me.1 And finally, this article was most instructive in my eventual conversion. The Myth of the Kindly General Lee.
I have changed my view. The big bronze statues along stately Monument Avenue have long been a subject of contention, and now I can see what must have been obvious to others for a long time.2 Sadly for some and triumphantly for others, the tide is flowing and it will take them away. As the saying goes, take it as you will, “They’re history.”
As a native Virginian, I hold a tinge of regret for their passing. I have released the bitterness of thinking “It’s a damn shame,” but a faint scar of regret will remain. The regret is for illusions lost, and it is overshadowed by being on firmer ground, but it is regret all the same.<<<< gt;<<< ><< p>< /p>
- The videos that Laura recommended are clips from a film called The Color of Fear. This is a good introduction to the set: Just Be American. And then you need to see these two: The ‘Red Ground’ Scene and What It Means to Be American.
- Another Richmond native writes about The Motionless Ghosts That Haunt the South. His reasons and depth of feeling are far harsher than mine.